7Artisans is teasing the launch of a new 35mm f/1.4 APS-C autofocus lens
Their teaser discloses some specs:
AF 35mm F1.4
APS-C
autofocus
size is 68mm×43mm
Weight: 180g
I guess most mounts will be supported (E/X/Z/L/RF)
Their teaser discloses some specs:
AF 35mm F1.4
APS-C
autofocus
size is 68mm×43mm
Weight: 180g
I guess most mounts will be supported (E/X/Z/L/RF)
The Swedish company Lit System just launched the Lit Duo 1 Light Meter on Kickstarter (Click here). And it already collected over half a million dollars! Check out their description page as it has a ton of features pro’s absolutely need!
This is how it works:
E8M spotted another new Nikon camera registered in China on July 12. IN total Nikon did register three cameras in the past 2 months. They have the following codes:
It’s still unclear which model we can expect, all we know is that it usually takes 3-4 months after registration for these cameras to be announced.
Topaz just released the new Video AI 5.2 version (Click here to see th product page). Press text:
This release includes the new Rhea Enhancement model, Pro seat management, Frame Interpolation for After Effects, Alpha layer support, and many UI and backend fixes.
Rhea represents a combination of Proteus and Iris. The model is intended to be more accurate in preserving fine details across a wider range of subjects, while also handling text in a less destructive way.
This model and Rhea internally processes inputs at 4x scale and then downscales to your selected output resolution.
We’re very excited to see your results with Rhea, here are some example frames from this model:
Today we are also launching Frame Interpolation in Adobe After Effects. This plugin addition includes access to all Frame Interpolation models for up to 16x slow motion conversion.
For more information on using the After Effects Frame Interpolation plugin, see this post in the Video AI Plug-ins forum section. 62
Video AI can now copy alpha layers from inputs and merge them back with AI model output videos. Alpha layer copying is supported in the following codecs:
Pro seat management
After a pre-launch period with several Pro teams around the world, Video AI Pro will be officially launching later this week. This new license tier offers seat management, commercial usage rights, and multi-GPU support for teams working with Video AI.
As part of this transition in licensing, we will be discontinuing the previous implementation of multi-GPU rendering for the standard license. Our team found that less than 2% of users made use of the multi-GPU setting, and further development will be focused on multi-GPU optimization for Pro teams.
If you are affected by this change and would like to discuss further options, please contact enterprise@topazlabs.com
Bug fixes & other improvements:
setparams
filter instead of -colorspace, ...
flags to explicitly override the input metadata to ensure only the metadata tags are updated without changing the video data itself.Venus Optics just announced this new Laowa Zoom Shift APS-C lens. Preorders will open soon on their website and on BHphoto.
Main Specs:
New Z6III at BHphoto, Amazon, Adorama, FotoErhardt, WexUK
The new Z6III is a nice camera and that’s why some now question if a new Z7III is actually necessary. PetaPixel wrote that While the Z6 III Is Here, a Z7 III is Far Less of a Certainty:
The only way I can see Nikon can release the Z7 III is to change what photographers have come to expect from it. The only camera really “missing” from Nikon’s lineup is a video-focused system like Canon’s R5C, Sony’s a7S, or Panasonic’s S5 IIX.
On the opposite on Weibo people claim to know the Z7III si coming and is likely to have those specs:
– Accelerated FX-format 90.75MP BSI CMOS sensor
– Cross-pixel Super Pixel Package sensor mode with pseudo LPF (10.1M)
– Four image size selections: L/M/S/B (only L/B for RAW)
– EXPEED 7 processor
– Four-leaf button
– Easy-to-use two-axis multi-angle LCD screen, high-brightness EVF
– Optimized body grip
– 8-stage IBIS, enhanced gyro video electronic image stabilization
– Pixel shift high-resolution shooting
– Dual data stream AF system, updated AI focus algorithm and process, more powerful than Z 9 and Z 8 –
FX/DX-format 14-bit RAW mechanical shutter continuous shooting up to 14fps
– FX-format B-size 14-bit RAW electronic shutter continuous shooting up to 20fps
– HEIF/JPG electronic shutter continuous shooting mode: C30 (FX-B/DX-L), C60 (FX-B/DX-M), C120 (FX-B)
– High quality video sampling modes are 12K-FX, 8K-DX, 4K-FX
– 12-bit N-RAW recording up to FX 12K/30p and 4K/120p, DX 8K/60p
– Supports non-pixel-to-pixel N-RAW encoding
– Up to UHD 8K/30p and 5.4K/60p and 4K/120p H.265 10-bit 4:2:0 MOV video
– Supports 4K ProRes 422 HQ 10-bit MOV video up to 4K/60p, ProRes RAW encoding
– N-log2 with IPP2
– Precise shutter angle options
– Separation of project frame rate and shooting frame rate (S&Q in Codec)
– Two card slots, support CFexpress B, SD UHS-II
– Supports WiFi 2.4/5 GHz, Bluetooth LE connectivity
– USB-C fast charging and HDMI Type-A connectivity
My take is that nobody knows a thing about the Z7III and that all that this means is that it might be not coming any time soon.