Tony Northrup listed his BOLD predictions for 2026:
- Nikon: Z9 Mark III (adds mechanical shutter for better flash sync; better EVF; improved AF; RED integration)
- Nikon: Z7 Mark III (high-res jump; suggested ~75MP TowerJazz sensor; RED integration)
The Nikon Z9 Mark III: fixing what always held it back
Nikon’s most important expected release is the Z9 Mark III. The current Z9 has aged surprisingly well thanks to firmware updates, but he argues that firmware can only take you so far. There are still fundamental hardware compromises that need to be addressed, and 2026 is when Nikon finally does that.
The biggest criticism is the lack of a mechanical shutter. While Nikon embraced an all-electronic shutter approach early, he sees this as a real-world problem for photographers who rely on flash. Sports shooters and outdoor portrait photographers need faster and more reliable flash sync speeds, and the Z9’s electronic-only approach never fully delivered on that promise. A mechanical shutter in the Z9 Mark III would be a major practical upgrade, not a spec-sheet gimmick.
He also expects a noticeably better viewfinder. Even when the Z9 launched, its EVF lagged behind competitors in clarity and refresh behavior, especially when compared to Sony’s high-end bodies. Improving the EVF is, in his view, long overdue and essential for Nikon to stay competitive at the flagship level.
Autofocus, while already strong, is another area where he expects refinement rather than revolution. Better subject tracking consistency and fewer edge-case failures would keep Nikon firmly in the conversation with Canon and Sony at the highest professional level.
Z7 Mark III: Nikon’s high-resolution leap
He also predicts a Z7 Mark III in 2026, and this is where Nikon may make its boldest sensor move. The current Z7 already targets landscape and studio photographers with its high-resolution, no–anti-aliasing design, but it now faces pressure from Sony’s 60MP A7R line.
His expectation is that Nikon leapfrogs rather than matches. He specifically mentions the possibility of a new TowerJazz sensor in the 70–75 megapixel range. That would allow Nikon to reclaim a clear resolution advantage and position the Z7 Mark III as the ultimate tool for photographers who value detail above all else.
This camera, in his view, is not about speed or video dominance. It’s about pure image quality, resolution, and color fidelity — the kind of camera landscape, architectural, and fine-art photographers invest in for many years at a time.
RED influence starts to show
A subtle but important part of his Nikon outlook is the integration of RED technology. Since Nikon acquired RED, he expects some of that expertise to start influencing Nikon’s mirrorless line, particularly in color science and video processing. He doesn’t predict radical cinema features overnight, but he does believe Nikon will begin folding RED know-how into its higher-end bodies in a more visible way starting in 2026.
Nikon’s strategy: practical cameras for serious users
Overall, his Nikon prediction is grounded and pragmatic. Nikon is not expected to chase global shutters everywhere or jump on every trend. Instead, the company is seen as refining its professional tools, correcting past compromises, and making cameras that appeal to photographers who care more about reliability, ergonomics, and image quality than headline-grabbing specs.
If he’s right, Nikon’s 2026 lineup won’t generate flashy buzz — but it will quietly reinforce Nikon’s reputation among professionals who value cameras that simply work, day in and day out.
Do you think Nikon should keep refining its flagship cameras — or is it time for a more aggressive technological leap?
What are your thoughts on this?
